If you can't make it to the launch I will be signing books at Angus & Robertson bookstores on both these days:
Gabrielle Wang and I worked on a book together published by Black Dog, called The Race For the Chinese Zodiac. Gabi recently interviewed me for her website and I have posted the interview here. You can also check out her website for more about her other books: www.gabriellewang.com(Gabi) What was the very first thing you did after you received the manuscript for The Race for the Chinese Zodiac?
What were the various stages you went through when illustrating the book?
How did you create the Chinese chops?
Initially I thought I would pay someone to carve them all in stone but it was going to cost a mint and take way too long. Then it occurred to me that I could achieve the same effect with linocuts. So that is what I did. I copied each character backwards onto the lino and carved around them to make each print. Of course afterwards I realised I didn’t really have to do them backwards at all, we could have reversed the image on the computer, but anyway I enjoyed the challenge.
Was The Race for the Chinese Zodiac different to other picture books you have illustrated?
Yes, very different in the sense that I worked with a designer right from the start. Usually in Australia the designer just comes in at the last minute to add the text and place the images. Recently I met David Mackintosh, the designer for all Lauren Child’s books, at a picture book conference in Singapore, and he gave a talk about the way designers work in the UK. I realised after listening to him speak that a designer can do so much more than just lay out text. He and Lauren work together right from the beginning with her roughs and lay the book out together. I think this is a wonderful idea as both the designer and the illustrator have very different ideas and skills they can bring to the finished book. Regine and I were given a lot of freedom by Black Dog and were both able to bring something of ourselves to the illustrations and I think the end result shows.
What medium did you use?
Chinese ink and Arches paper. Plus linocuts for the chops.
The actual brushwork is quite quick – what took the most time was sourcing the image, doing the sketches then the finished drawing. After all this I would lay the finished drawing on the light box, place a piece of watercolour paper over the top and try to do the black outline in as few brushstrokes as possible to keep that minimal Chinese calligraphy feel.
Usually around four or five pencil sketches. Some of the ink paintings I redid but most of them I was happy with first off. Particularly if I was in a ‘painting mood’ that day (ie; calm and centred).
You told me you work fairly quickly. How long did The Race for the Chinese Zodiac take to complete?
The thing that usually takes me the longest is the planning, thinking about the book and working out what kind of illustration style I am going to use. This can take many months, but it is a very important part of my creative process – it’s the germinating period you could say. The actual working with paper part is comparatively quick because I already have a strong idea of what I want to do. So I probably completed the finished artwork for the Zodiac book in a matter of weeks.
Where did you study Chinese painting and for how long?
I studied for three years in China. One year at the Shanghai College of Art, then two years at the China Art Academy in Hangzhou (Gabi studied there too!)
What is your favourite medium to work in?
Which is your favourite page in the book?
I think the piggy lying on her back. It makes everyone chuckle. She looks so blissfully happy. But I am rather proud of my dragons, too – having never drawn a dragon before!
Peeking DucksPeeking Ducks at Peeking Ducks is written by Krista Bell, illustrated by Sally Rippin and published by Windy Hollow Books. Help us celebrate this beautiful new picture book at the Books Illustrated stand at the Federation Square Book Market on Saturday 6 March from 11 am to 5 pm. You can meet Krista Bell and watch illustrator, Sally Rippin at work from 1 to 3 pm. Books for signing will be on sale. Peeking Ducks at Gasworks Beautifully fresh and charmingly chinesey, Sally Rippin’s illustrations for Peeking Ducks will be on exhibit at Gasworks Arts Park in the Angela Robarts-Bird Gallery from 22 March to 11 April. Both Sally (painting) and Krista (writing) will be doing workshops in the Gasworks Holiday program. |  |
